Produced by THE SKATEROOM in 2019
©Keith Haring Foundation. www.haring.com.
Licensed by Artestar, New York.
"The Skateroom believes that for-profit companies share a moral obligation to use their power for the greater good. With a growing environmental, humanitarian, and economical crisis, the modern world requires sustainable solutions to conducting business.
That’s why we devote great attention to the sourcing of our boards and aim to work exclusively with Grade A Maple from certified sustainable forests in Canada. In addition, our packaging is made from recycled materials and supporting products chosen to limit impact on the environment.
The Skateroom also offsets its carbon emissions and proudly wears the CO2-neutral® label: we compensate for our entire yearly carbon footprint through the independent audit company CO2logic."
About the Artist:
Keith Allen Haring (May 4, 1958 – February 16, 1990) was an American artist whose pop art emerged from the New York City graffiti subculture of the 1980s. His animated imagery has "become a widely recognized visual language". Much of his work includes sexual allusions that turned into social activism by using the images to advocate for safe sex and AIDS awareness. In addition to solo gallery exhibitions, he participated in renowned national and international group shows such as documenta in Kassel, the Whitney Biennial in New York, the São Paulo Biennial, and the Venice Biennale. The Whitney Museum held a retrospective of his art in 1997.
Haring's popularity grew from his spontaneous drawings in New York City subways—chalk outlines of figures, dogs, and other stylized images on blank black advertising spaces. After gaining public recognition, he created colorful larger scale murals, many commissioned. He produced more than 50 public artworks between 1982 and 1989, many of them created voluntarily for hospitals, day care centers and schools. In 1986, he opened the Pop Shop as an extension of his work. His later work often conveyed political and societal themes— anti-crack, anti-apartheid, safe sex, homosexuality and AIDS—through his own iconography.